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BLACKMOUTH The beauty lies in Jarboe and the vocal characterizations that breathe human life to the electronic ambience and shock guitar. In The Black Pulse Grain rhythmic pulses and bass line encase word and melody as Jarboe's emotional range is put to the test, cascading from innocence to painful utterance, while The Burn, a mostly spoken word piece, flows across a percussion and guitar landscape in an almost primitive tribal trance. Two of the most impressive events on this cd are the sensual and brooding Smother and
And I Call Myself Hag. Jarboe's ambient human instrument hovers, soars, and intertwines in these eloquently crafted and softly passionate works. Instrumentalists Bergin and Smith have collaborated on various projects ranging from gothic hard-core to cinematic dark improvisational landscapes like their recent release Tertium Non Data (Third is Not Given). In Blackmouth they have crafted darkly toned and hauntingly electronic landscapes that Jarboe has populated and made human.
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